Compensation

Compensation may refer to:

Compensation (psychology)

In psychology, compensation is a strategy whereby one covers up, consciously or unconsciously, weaknesses, frustrations, desires, or feelings of inadequacy or incompetence in one life area through the gratification or (drive towards) excellence in another area. Compensation can cover up either real or imagined deficiencies and personal or physical inferiority. Positive compensations may help one to overcome one's difficulties. On the other hand, negative compensations do not, which results in a reinforced feeling of inferiority. There are two kinds of negative compensation:

Overcompensation, characterized by a superiority goal, leads to striving for power, dominance, self-esteem, and self-devaluation.

Undercompensation, which includes a demand for help, leads to a lack of courage and a fear for life.

A well-known example of failing overcompensation, is observed in people going through a midlife-crisis. Approaching midlife, many people (especially men) lack the energy to maintain their psychological defenses, including their compensatory acts.

Compensation (film)

Compensation is award-winning independent film about a young African American couple at the beginning and end of the twentieth century. The film is produced and directed by Zeinabu irene Davis and the screen play was written by Marc Arthur Chéry. It stars Michelle A. Banks and John Earl Jelks in the leading roles. The film was shot throughout Chicago beginning July 1993 and wrapped up early August.

The film premièred at the 2000 Sundance Film Festival and ran in the Dramatic Feature category. The film was screened in San Diego, California at the Museum of Photographic Arts. It was also screened at IFP the Independent Film Market in New York, New York and the Pan African Film Festival in Los Angeles.

Plot

Inspired by a 1906 poem from early African American writer, Paul Laurence Dunbar, the unique drama explores aspects of Black culture in both turn of the century and present day Chicago in two parallel love stories, both about the relationship between a deaf woman and a hearing man. The narrative revolves about two couples, Malindy and Arthur, and Malaika and Nico, respectively taking place at the beginning and end of the twentieth century. Both pairs revel in the splendor or romance and a possible lifetime commitment only to be forced to deal with the dreaded disease of their difference times: tuberculosis and AIDS. The multi-layered film tackles various issues that arise in the relationship of the "mixed" couples.